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STAMPS FROM ALTAYS TO ANATOLIA | |
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| Entry | |
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| The research area of the study | |
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I began my field works for
collecting the materials of socio-cultural elements those I will attract
your attention, are based on the southern regions of Kazakhstan and of Sir
Derya (Seyhun) in the years 1996-97.
Continue | |
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| Art and religion | |
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The art (or arts) had been born
since the human being’s expressions of external objects or interpretations
inside the mind. In other words, art is the way of commentary of the world,
done by human beings, social groups, and nations. The socio-cultural
structure, personal skills and faculties determine the similarities,
differences, or identicalness among these commentaries. Continue | |
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| Art and sociology | |
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The artistic traces must be
closely related with sociology since they are produced in a socio-cultural
structure. Because “all artistic traces carries the marks of a cultural
environment more then the personality of the artist of the sign it is
having. That is to say art is expression of the common senses, thoughts, and
taste of the society. Continue | |
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| Art and the socio-cultural mentality | |
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We paid attention to the
relation between art and socio-cultural structure by defining the art and
artistic traces as reflection of traditional mentalities of people(s).
Tradition is generally treated, in sociology books, as simple doings of non
formal social groups. So they seem as simple social activities.
Continue | |
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| History of carpet-rug history | |
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Before carpet–rug art, it will be more
appropriate to think about the social conditions in which the sheep, which
is the source of raw material of it, became an important factor. Because,
there are strong relations between carpet-rug art and domestication of
sheep, and between interior decoration of tents and the felt necessary for
the construction of the tent. Continue | |
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| The socio-cultural importance of ram-head stamp | |
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The general characteristic of
Turkish carpet-rugs is the ram-head stamp, we think. This stamp can be seen
with its various styles across Turkish world. As we will review again during
talking about tombstones, ram-head stamps are possible to be seen at Turkish
tombstones from Japan to Anatolia as the most beautiful samples of Turkish
animal figure style. Continue | |
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| Graves and Tombstones | |
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The graves in this region are
generally as family graves. These graves give important Ito the scientists
for socio-cultural researches. Because the most hard and conservation parts
or a tradition are born, marriage, and death and funeral. Kazakhstan Turks,
who are base of our study, were affected mostly from Russian culture and
communism. Kazak Turks worked in same place, worked for the same party, and
even married with the Russian people. Continue | |
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| What art and stamps say | |
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Art is the reflection of the
mentality of human being. in other words art is reflection of a mentality, a
sense, or socio-cultural life, by different symbols. And so the traces of
art must be treated more or less as evidences of socio-cultural life.
According to Gadamer we can comprehend the traces of art within the
consciousness of history and within the framework of the concept of
“understanding”. If we do not treat art traces within this framework, we can
not understand what these and the stamps over them mean. Continue | |
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| Conclusion | |
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We can not treat socio-cultural
phenomena without the factors affecting it. Besides, this is valid partially
for the physical world. Under these conditions while comme3nting a
socio-cultural event we have to establish relations with other social
sciences, for minimizing the errors. Continue | |
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| Academic informations | |
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| Türkiye | |
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| Kazakistan | |
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| Kırgızistan | |
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| Özbekistan | |
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| Türkmenistan | |
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| Azerbeycan | |
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| Altay | |
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| Copyright© 2000-2001 Mustafa AKSOY All Rights Reserved | |
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